Ricoh GR: A 2018 Review. Is it still relevant?
It’s 2018. We have cell phone cameras with 20+ megapixel, multiple fast aperture lenses, and simulated shallow depth of field. DSLRs and mirrorless options with large crop (APS-C) and full-frame (35mm) sensors are affordable and abundant. So why would I want a nearly five-years-old, $500+, crop sensor camera with a fixed f/2.8 lens?
In short: because it’s small, light, discreet, fast, and specialized; producing detailed, flexible, and wonderful images.
So why did I add, and still use, the Ricoh GR?
Between my various DSLR bodies/lenses and my iPhone, there doesn’t seem like there’s a need for another camera, especially not a point and shoot with 2013 technology. The DSLRs provide me with the utmost image quality, speed, and ergonomics and iPhone is more than capable of capturing snapshots and you can even capture great images with a little know-how. But what about the times in between, when I want more than a snapshot without the tediousness of lugging around a DSLR and a bunch of lenses? Enter the Ricoh GR.
A quick spec run down on the Ricoh GR (and GR II)
+ 16.2mp APS-C sized sensor
+ 18.3mm f/2.8 lens(28mm full-frame equivalent field of view)
+ Smaller footprint than an iPhone 6/7/8/X
- It’s like a stack of three iPhone 5/SEs
+ Weighs 245g
- But only weighs as much as two iPhone 5s! (1.5 iPhone Xs for a more modern comparison)
- Doesn’t have a flippy/tilty/touch screen
- Nor does it have a viewfinder
- Shoots some of the worst video I’ve ever seen
- The original GR doesn’t have wifi (though the GR II* does)
*The GR II is 99% identical to the GR. The GR II features a few feature upgrades such as AF during video recording, a few effect modes, a subtle bump to the max shutter speed at f/2.8 (1/2500 from 1/2000), and the aforementioned wifi.
Appearance, Size, Handling
Alright, I’ll admit it’s pretty ugly. While I’d love something with the retro stylings of Fuji’s X100/X70 series or just a clean straightforward design like the Sony RX100s, the less than appealing, slightly janky, appearance of this camera is actually something desirable. It’s incredibly unassuming and completely unintimidating which is invaluable when you want to discreetly photograph a scene or subject.
With these types of images, you need to be close. Standing from afar with a telephoto lens lacks that feeling and presence that shooting closer with a wider lens possesses. A DSLR will catch the eye of your subject or someone in your scene due to its size and “professional” appearance, thus disrupting the natural-ness of the photo. This makes it an ideal camera for stealthy and inconspicuous street photography.
The camera is small. Easily the smallest camera to feature an APS-C sensor and measures up well to it’s micro 4/3 and 1” sensor competitors. This is nearly the entire reason I added this camera to my collection.
Being able to fit a powerhouse of a camera into practically any pocket is nothing short of incredible. While there are stunning cameras that are pocketable in a large jacket pocket or small purse, this is little thing will fit in all but the snuggest of jean pockets (then again, a Motorola Razr can barely fit into those). Despite it’s fairly diminutive size, it has a fairly sturdy feeling build but doesn’t feel heavy.
The shape of the grip is very well designed, fairly chunky and grippy, and is very comfortable to hold for long periods. The front control wheel and rear toggle/rocker/button, along with the couple of programmable function keys, allows for easy one-handed operation and control over most of the necessary settings.
Usage, Performance, & Image Quality
As mentioned above, the controls and customization are fantastic. With the front wheel, I can control my aperture (or shutter speed in Tv) and the rear rocker can be used to set my shutter speed or pressed to access a quick menu of options where I can set my ISO, change my metering mode, focus mode, enable continuous shooting, or enable a handful of bracketing options. One of my favorite features is the “One Press M Mode” feature (enabled in the menu). This feature can be set to Aperture priority, Shutter priority, or Program. I have mine set to aperture priority, which transforms the exposure compensation buttons to an “enable Aperture priority” button while shooting in M.
For example, I’m inside shooting at 1/60, f/2.8, ISO 100, I then step outside to broad daylight and my exposure is way off as I should be at 1/2000, f/2.8, ISO 100 for a proper exposure. Typically I’d click my shutter down to make up for those 5 stops (15 clicks at 1/3-stops) but with nifty feature, I just press + or – on the exposure compensation and it adjusts my shutter speed to the proper exposure as if it were in aperture priority. This makes changing between drastically different light levels a lot more manageable without the inconsistencies of using just aperture priority.
The Ricoh GR was designed with street shooters in mind, not just in its small form factor and basic appearance, but also through its rich feature set. Snap focus is a unique focusing mode that sets the lens to a pre-determined focus distance. This is perfect for street shooting since when paired with a narrower aperture like f/8, you can gauge the distance of your subjects and quickly take a photo when they fall into your focus range and not worry about hunting for focus. Predictability and reliability are things I really value for focus and snap focus definitely delivers there. You can also enable it to automatically use the pre-set snap focus when you press down your shutter all the way without focusing, so you always have snap focus at your disposal.
Not everything is perfect about the AF system, while it’s pretty accurate and offers a couple of different AF modes covering various sizes, it is almost useless when it comes to tracking a moving subject and it could perform a bit better at focusing in low light. Good AF technique helps, but focusing in dimly lit situations (~ISO1600, f/2.8, 1/60 sort of dim) can be slow and difficult.
The images it produces though are fantastic. The 18.3mm f/2.8 lens and sensor produce surgically sharp images. They might even be too sharp sometimes. Center sharpness is off the charts, while edge/corner sharpness is great at ~f/5.6.
The RAW files are flexible, although a little flat and it took a bit of work before I found an edit that worked well for me. The JPEGs it produces with the Positive Film effect (slightly tweaked to give it quite a bit more color) look great right out of the camera, so I’ve developed a Lightroom preset to match them (send me a message if you're interested in it). They’re not exactly the same, but I like it that way.
Dynamic range and ISO performance, arguably the two biggest differences between cell phones sensors and larger sensors. Dynamic range, for those who aren’t familiar, is the difference of light an image sensor can capture in a single frame. Our eyes are capable of looking through a window to a sunlit scene while still maintaining visual acuity to items indoors/in shadow, but cameras can struggle to capture such bright and dark details in a single frame. Being so accustom to the newer Nikon/Sony sensors, I frequently forget that not every RAW image has the amount of dynamic range that my D600/750/850 do, but I was pleasantly surprised with the GR’s dynamic range. I can comfortably push an exposure about 2, maybe 3 stops with minimal loss in detail. The highlights also retain well in the RAWs, even when they appear to be clipped.
- Incredibly compact size
- Great image quality
- Unique and useful controls
- You can shoot better video with potato
- The sensor, while capable, shows its age when you push the ISO
- Autofocus system in low light and tracking high action is lacking
- It's not winning any beauty contests
- My front scroll wheel acts up sometimes, jumping from f/2.8 to f/13 then back to f/5.6.
The Ricoh GR has been a great little addition to my kit but better yet, it’s been an excellent addition to my pocket. At $600 for a new Ricoh GR, it’s a capable point and shoot and the power and size ratio can’t be beat.
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More Sample Images